Unraveling, “West Beirut” a journey of conflict and humanity

By Isabella Yepez

The film West Beirut provides an emotional journey delving into the historical relevance and societal issues of the Lebanese Civil War while illustrating a story that underscores humanity in times of conflict. Director Ziad Doueriri transports the audience into the streets of a city ripped apart by violence on an emotional level. Themes of chaos and fear are painted within elements in the opening scene, showing the aftermath of a horrific bus assault. Soldiers and snipers surround the streets, standing guard against the perpetual fear and tension that pervade daily life.

“West Beirut” primarily addresses the several effects of the Lebanese Civil War on people and communities. Specifically, in the characters Tark, Omar, and May, their identities have to revolve around the constant reminder of the city’s hardship, yet despite the constant challenge, they search for happiness. Themes of love, resiliency, and human connection are at the core of the film, primarily in Tarek and May’s blossoming romance, transcending sectarian barriers and providing a glimpse of a hopeful future for peace. The power of love is a notable theme in the film as Tarek overcomes the established societal divisions and the biases of his friend Omar as he pursues May despite her Christian beliefs. The film’s intricate features are visually appealing, with symbolism that strengthens the narrative. In Tarek and May’s secret encounters, the film’s imagery encourages the audience to fully immerse themselves in their world.

            Moments like Omar consoling Tarek and assuring him that safety is universal, despite religion, highlight the film’s powerful theme of unity amidst division.

The scene where Tarek, Omar, and May are walking around their war-torn city, searching for moments of normalcy, is an exemplary moment of their daily environment. The sounds of gunfire and explosions in the distance as they wander through the streets littered with debris fill the streets at every turn. The trio finds comfort in each other’s presence despite the destruction, and their moments of laughter together contrast the devastating reality of destruction that surrounds them.

The complex relationship between characters who are each in search of their own identity and personal challenges. This is prominent within Tarek’s friendship, and his constant optimism gives hope, and his interactions with Omar bring to light the underlying tension that boils underneath sectarian boundaries. The divide of Beirut into East and West signifies the intricacies of identification and mining relationships, while conflict is prevalent, reflecting a metaphor for a divided society. 

The lasting impression the film West Beirut induces in the viewer is an inspiring contemplation on the spirit of humanity’s resiliency and brings awareness to conflict. The timeless message of optimism and unity in the face of war is reinstated with a fresh perspective from the director through the depiction of universal themes of love and friendship.

“West Beirut” pushes past the boundaries of ideology, race, and religion, serving as a reminder that, in the end, what ties society together is common humanity. Using empathy, comprehension, and group efforts, viewers are left with a reflection of how conflict can pave the way for peace and reconciliation.

West Beirut (1998): Identity and resilience

By Nicholas Schwab

The Lebanese Civil War, which raged from 1975 to 1990, is still regarded as one of the more crucial periods in the country’s turbulent history and has left a lasting impact on the collective consciousness of Lebanon. Ziad Doueiri’s “West Beirut” (1998) is one of the many artistic interpretations of this time that attempts to captures the essence of life amid the chaos of the war. With its setting in Beirut in the early years of the conflict, the movie weaves together themes of identity, resilience, and the devastating effects of conflict on people and communities to present a gripping examination of the human condition. Ultimately, the film shows the 1975 Lebanese Civil war, successfully highlighting the identity crises caused by the war as well as the resilience of the human spirit using a narrative focused on its young protagonists, Tarek, Omar, and May.

“West Beirut” illustrates the impact of the war on individual identity, as in many ways, the film is a coming-of-age story about the teenage main characters. Tarek and Omar’s friendship in fact serves as a microcosm of Lebanon’s fractured society during this period, especially underlining the arbitrary nature of the conflict and its human cost. Throughout the film, the two are put into dangerous situations, such as crossing areas with snipers aimed at them, and even being shot at in the street. In addition, they argue often, whether it is about Tarek almost getting Omar into trouble, or even more complex topics such as the addition of May, a Christian, into their friend group. Despite all of this, the friends ultimately realize that their shared humanity transcends the boundaries imposed by war and external pressures of sectarian traditionalism. 

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This is evident toward the end of the film in the scene where Tarek truly opens up to Omar on the rooftop and the two cry and hug.

As previously stated, “West Beirut” is also a testament to the resilience of the human spirit. Despite the horrors of war, the characters demonstrate courage, finding moments of joy and laughter amidst the chaos. Tarek, Omar, and May refuse to be defined by the violence surrounding them, choosing instead to and defy the limitations imposed by their circumstances. In example, they make valiant attempts to cling to innocence, such as when Tarek empties the bucket onto his neighbor who wakes everyone up with a tirade of negativity from her balcony each morning. Their unwavering determination to preserve their sense of self and also protect their loved ones (shown by Tarek worrying about his parents dying when he is crying on the roof) portrays indomitable human spirit.

Overall, “West Beirut” is a poignant and powerful portrayal of the Lebanese Civil War, using the experiences of its young protagonists, to highlight the profound impact of war on individual identity while celebrating the resilience and strength of the human spirit. As Lebanon continues to reckon with the legacy of its turbulent past, “West Beirut” remains a powerful beacon of hope and confidence in the strength of humankind to survive and prosper.

Exploring the Depths of Humanity: A Review of “Cairo Station” by Youssef Chahine

By Antoniah Etienne

The film “Cairo Station” (1958) is a powerful critique of the human condition, set in the
bustling streets of Cairo, the capital of Egypt. It explores themes such as love, obsession and
social marginalization, as well as the complexities of human relations and urban life. “Cairo
Station” is primarily concerned with the social hierarchy and economic inequalities that exist in
Egyptian society. The film follows the story of a disabled newspaper vendor, Qinawi, who falls
in love with the beautiful soda vendor, Hannuma. Qinawi’s obsession with Hannuma is a
metaphor for the despair and loneliness of those who are considered undesirable or insignificant
in society.
The cinematography of “Cairo Station” is one of the most impressive aspects of the film. It
captures the atmosphere of the station and the chaotic streets of Cairo, with Chahine’s skillful
direction that immerses the viewer in the chaos of urban life. The film’s use of long shots and
close-ups creates an intimacy and tension that draws the viewer into the characters’ inner
turmoil. The film also offers a nuanced look at gender and sexual politics in Egyptian society.
Actress Hind Rostom plays Hannuma, a woman who challenges traditional gender norms by
asserting her autonomy and self-determination in a patriarchal society. Hannuman’s interactions with the protagonist, Qinawi, as well as other male characters, serve as a reminder of the difficulties that women face in meeting societal expectations while also asserting their autonomy.
While “Cairo Station” is undeniably a compelling and thought provoking film, there are a
few things that could have been better conveyed. One of the most glaring issues is how the
character of Qinawi (the disabled newspaper vendor in love with Hannuma) is portrayed. His
obsessive behavior serves as the film’s central theme, but some critics argue that this
one-dimensional portrayal of him reinforces negative stereotypes of disability and mental illness, detracting from his character’s complexity and detracting from the movie’s exploration of social marginalization. The subplot of Hannuma’s relationship with Abu Siri (her fiancé) is also underdeveloped and lacks depth. Hannuma and Abu Siri’s relationship is overshadowed by their central romance, leaving viewers with questions about what their relationship really means and how it fits into the larger narrative. A more in-depth exploration of Hannuma and Abu’s relationship could have added to her character’s depth and provided valuable insight into the dynamics of gender and power struggles within Egyptian society. “Cairo station” is an engaging and visually stunning movie, but its shortcomings prevent it from achieving its full potential as a thoughtful exploration of human relationships.
In conclusion, “Cairo Station” remains one of the most important Egyptian films of all time.
It’s a captivating tale of urban life and social marginalization. The film’s characterization of
some characters and sub-plots may not be as insightful as it could be, but the film’s overall
themes of love, lust, and social injustice strike a deep chord with viewers. Despite its
shortcomings, ‘Cairo Station’ stands as an example of how cinema can inspire thought and ignite dialogue about the complexities of the human experience. As we navigate through the
ever-changing world of modern life, the lessons we learn from “Cairo Station” remain a reminder of the constant struggle for dignity and a sense of belonging in a world full of difficulties.